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In Memoriam: Vic Chesnutt

January 9th, 2010

American singer-songwriter James Victor “Vic” Chesnutt ended his own life on Christmas Day by overdosing on his muscle relaxant medication.

Vic Chesnutt and his work were completely unfamiliar to me until I first heard his interview on NPR’s Fresh Air, which is hosted by the wonderful Terry Gross. Vic Chesnutt’s story, just like his music is very moving.

Vic Chesnutt

Vic Chesnutt (source: Wikipedia)

Vic Chesnutt met with an accident in 1983 while driving in a drunken state when he was eighteen. He broke his neck and partially damaged his spinal cord. Partially quadriplegic since then, he had limited movement below his neck and was restricted to a wheelchair.

He managed to gain some control back and was able to play simple guitar chords and sing again. Here is a sample of his music. This song is called “Flirted with you all my life” from his latest album “At the Cut”.

If you pay attention to the words of this song, the listener initially thinks that the singer is addressing a lover when he says “I flirted with you all my life, even kissed you once or twice.” But half-way through the song, it becomes obvious that he is not really addressing a lover, but death. In real life, Vic Chesnutt has had several brushes with death, which included several attempts at suicide both before and after his car accident in 1983.

He also says in his song, “clearly I was not ready.” In his early-December interview with Terry Gross, Vic said this was his break-up song with death — that he felt he wasn’t ready for death yet.

You know, I’ve attempted suicide three or four times,” he said. “It didn’t take. And this is really a breakup song with death.”

Here is another song by Vic Chesnutt: “Courage of the Coward.” I like it because of the intensity of both the words and of the musical arrangement.

During the interview Chesnutt said he wasn’t ready for death yet. He seemed very well put together and gave the feeling to all his listeners that he was not going to make another attempt on his own life.

I was personally very disturbed to hear recently that Vic Chesnutt took his life on Christmas day, just a few weeks after the original interview. He overdosed on prescription muscle relaxant. After two days in coma, he eventually succumbed.

Vic Chesnutt’s writing is very open, painful and transparent. In his own words:

Other people write about the bling and the booty. I write about the pus and the gnats. To me, that’s beautiful.

Here’s an example from the song “Panic Pure” from his CD “West of Rome.”

and so all you observers in your scrutiny
don’t count my scars like tree rings
my jigsaw disposition, it’s piecemeal properties
are either smoked or honey cured
by the panic pure

Related:

The Art of Luta-ing Money

June 19th, 2009

I had one of those rare opportunities last evening — when the weather was in the seventies, and when I felt like moving my muscles a tad. Given the erratic weather in Chicago this season, I have had such luck only once every week in the past month. Running on the lake trail by Lake Michigan surely has its upsides, as you will soon find out.

Half-way through my run, I was drawn by a disturbing albeit familiar sound. When I moved closer toward the source of the sound, I recognized that sound as one of my favourite genres of music — Qawwali. I crossed the BP bridge with much anticipation, hoping to see the rehearsals at the Jay Pritzker pavilion at Millennium Park. To my surprise and utter delight, it wasn’t a rehearsal, but an actual live concert. Gigantic stacks of speakers blaring Allah Hu, Ali Ali and then some catchy Punjabi numbers on the lakefront of Chicago. It reminded me of home. (By the way, you don’t know high notes until you’ve heard some of these Qawwali singers go.) I settled down among the audience, although I was in my workout clothes and completely soaked in sweat.

Faiz Ali Faiz

Faiz Ali Faiz

Everyone seemed to be enjoying the music — black, white, brown. But towards the end of the concert, the south asians in the crowd began to get really excited. And could you blame them? One by one, they moved toward the stage, and scattered a few notes in the air, in that style that you would be familiar with if you have attended Indian weddings or other ceremonies — lutaing money, if you will.

I had the opportunity to sit back and watch many people do this, one after the other. After my observations, I have concluded that not everyone has the knack to do this right. And yes, there is a right way of doing it. It takes patience and some musical knowledge to achieve the perfect effect.

Qawwali music has this unique style, where the music rises in a quick crescendo — with the backup singers repeating a rythmic phrase, and the lead singer improvising on the raga and hitting the high notes. Well, what you think are high notes. And then he goes beyond that to hit higher notes, and then higher-er notes, and then goes two steps beyond what you thought was the highest note possible. And then all of a sudden there is a pause when everyone goes silent. The audience begins to applaud, thinking that the song is over, but then the tabla and the back-up singers pick up right where they left off and the song goes on for a while after that.

I admit that was a long description. But it’s all relevent, because the exact timing when you should luta your money has to do with that pause in the music.

The right moment to let go of the handful of crisp currency notes is at the exact moment when the highest musical note has been hit, but the pause hasn’t begun yet. This of course has to be an underarm throw, or it will look disrespectful. During the pause, the bills reach the top of their trajectory. Everything is really quiet. And then just as the tabla and backup singers pick up again, the notes rain down and scatter creating a confett-like effect.

Glorious!

I didn’t know about this until I saw some rookies screw up, and hasten back to their seats. And then the pros showed us how it’s done.

I’m convinced that this is the way to do it. You should try it next time. And let me know how it goes.

PS – If you’re interested, the artist was Faiz Ali Faiz from Lahore, Pakistan. This concert was part of the Music Without Borders series. Faiz Ali Faiz has an amazing style where he blends western music here and there in to familiar Qawwali numbers — Qawwali Flamenco and Qawwali Gospel. Sounds interesting? Check him out!

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C’est si bon

March 8th, 2008

Check out this French song C’est si bon (It’s so good) by Eartha Kitt. One of the comments on this video on YouTube summarizes it for you: MEOW

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David Nelson-Gal Playing the Guitar

May 10th, 2007

David Nelson-Gal is the SVP of Engineering at Interwoven. He was here at Bangalore for a short visit. Being a fun kind of a guy, he showed off his guitar skills at the office this evening. Check them out!

Can DNG Play the Guitar?

The Interwoven Bangalore Song

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How to add musical notation to Microsoft Office

May 9th, 2007

You may be familiar with the following musical notation.

  • flat (â™­)
  • natural (â™®)
  • sharp (♯)

If you want to use musical notation in a Word or Excel document, there are two ways to do it.

Method 1

  1. Go to Insert Menu > Symbol to get the Symbol dialog.
  2. Change the font to “MS Mincho”.
  3. Scroll down, and you will find the characters you want.
  4. Click on the Insert button to add the character to your document.

Method 2

This method employs keyboard shortcuts.

  • Type 266d and press Alt+X (â™­)
  • Type 266e and press Alt+X (â™®)
  • Type 266f and press Alt+X (♯)

I had trouble figuring it out myself. Hope this information is useful to you.